Tag Archives: writing

A Poet I Will Never Be

I’ve admired famous poets for years. Mostly the way they cram a full story into a few lines. After I retired, I dabbled in themed Haiku, a novice trying to create a masterpiece in three lines with a 5-7-5 syllable pattern. Several of my contest entries were published in newspapers in the San Francisco East Bay Area. The theme for this February 2010 entry was Super Bowl Snacks Poetry in Motion.


Guacamole dip

Fritos and buffalo wings

Soothes pain of losing.

~Violet Carr Moore


My Haiku have appeared in Northern California anthologies, but my writing strengths are short stories, inspirational/spiritual, and memoir.

I was inspired when I heard Dana Gioia (pronounced joy-a), a modern poet, speak at a conference a few years ago. Gioia was the California Poet Laureate (2015) and the Chair of the National Endowment of the Arts (2003-2009). He received many national awards that propelled him to the top of speaker lists. His words reach writers of all genres, not just poets. Perhaps Gioia’s encouragement at that workshop was what prompted me to be one of the first to register to hear him speak at the Tri-Valley Writers Zoom meeting on Saturday, March 20, 2021. This is a free event, open worldwide to individuals who register by the deadline.

I hope Dana will have some wise words for writers like me who need a dose of inspiration to finish an ongoing project. Perhaps his presentation will resonate with you too. Click here to read about the event and register.


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Filed under Events, Memoir, Publishing, Writing

Shaped by Choices

Writing a story begins with a choice. What does the writer-in-me want to tell? That is balanced with the question, “What does the target audience want to read?”

I’ve made a lot of good choices in my life—and a few that didn’t reach that level. Some of those decisions shaped me like homemade playdough in the hands of a preschooler. I was punched, squeezed, rolled, and manipulated. Just when I thought I had reached my destiny, slam, bam. More pounding.

Julaina Kleist-Corwin, a writing instructor, gathered short stories about choices for an anthology. She extended the competition to former students and writers who had been published in her previous anthology. She read each 500-word submission and suggested changes. No pounding, punching, or squeezing. Then the writers were given the opportunity to reshape their stories. Most were memoirs. A few were fictionalized.

My memoir, “Second Chance,” is about my submission to an anthology being published by a well-known New York publisher. The book theme was true stories about Christmas miracles. No problem there. I had a story to tell.  I submitted it. Hooray! It was accepted with minor suggested edits. The congratulatory email said the next step would be to sign a publisher release form. I waited a few days. No form. Instead, an email suggested I revise my story. Playdough again.

“But that isn’t what happened,” I wrote to the developmental editor.  She gently rolled my story into shape to keep the facts and told me to sign the forthcoming release.

Two days before the deadline to sign the release, I received an email from the main editor, the one whose name would appear on the book cover. He added more fiction. “It makes a stronger story,” he said.

Slam, bam. Playdough. Only this time, I had a choice. Accept the change or insist on keeping the story as I wrote it.

What did I decide? Read about it in The Choice Matters.



Disclaimer: Julaina doesn’t know I’m including her Amazon book link in my blog, but I’m sure she’ll be delighted. The print edition and e-book are on sale at introductory prices.



Filed under Editing, Memoir, Writing

Chasing Rabbit Trails

I checked my email before tackling revisions of my mystery novel in progress. I received a request from a genealogy group to be a speaker about identifying family photos from the mid-to-late 1800s. Before I chose an optional date, I checked to see if my PowerPoint file survived the transfer to my new computer last fall. I watched the full presentation. All there, but the majority of the photos were from a later period. Mysterious Mary, a name I had dubbed Mary Dragoo years before when I learned that she was buried in Alamo Cemetery, would be a perfect example of a working woman in the Antebellum and Victorian time periods.  I scrolled through my family photos. “No results” proved to be a minor sidetrack—the first rabbit trail of the day.

I left my computer long enough to review my handwritten notes from my visit to find her unmarked gravesite in Alamo Cemetery. Gone missing. Mysterious Mary continues to be elusive. Back at my computer, I looked for the article I wrote when I first discovered that she lived in Contra Costa County in the nineteenth century. No file. Sidetrack #2.

I emailed my twin, our family history researcher, about the missing photo.  I added more information. Sidetrack #3.

She sent me the picture jpg and my original Word article from 2007. I read it to refresh my memories of my original search for Mysterious Mary and her family. I stopped at the paragraph where I mentioned that Mary’s grandson and his spouse are buried in Roselawn Cemetery a couple of miles from me. I hadn’t visited either cemetery recently. Back online for a Find A Grave search. The Roselawn posting mentioned that the memorial manager, a direct descendant, has no information on the man’s wife. An easy challenge for me from memories of visiting her gravesite. I clicked the link to share that information with the manager. Sidetrack #4.

I received an error code. The memorial manager can’t be reached. I contacted Find A Grave with the details and requested webmaster intervention. Sidetrack #5.

Next step: Update my speaker bio to include previous presentations on U.S. Civil War and Victorian period costumes. My empty stomach growls—a signal for a timeout for lunch. Sidetrack #6.

From the table into the open living room, Green yarn of a hat I’m knitting beckons me to my easy chair for a break from research. Sidetrack #7.

Ah, seven, often referred to as the perfect number. The stately oak trees from my framed print of Oak Alley Plantation, first named Bon Séjour (pleasant sojourn), remind me that no journey is wasted. I hurry back to my computer to accept the invitation from the genealogy group. This time, I’ll stay away from rabbit trails.



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Filed under Events, Memoir, Writing

New Year’s Superstitions

Our family celebrated religious holidays like Easter and Christmas and Thanksgiving Day, the day of gratitude, with abundant meals—except for the year we picked cotton on Thanksgiving (see my blog post  https://violetsvibes.wordpress.com/2017/11/23/thanksgiving-memories). Even with this strong dedication to faith and family, my mother harbored a few superstitions. She made us turn around if a black cat crossed our path while walking. A broken mirror brought seven years of bad luck. Visitors had to exit our house through the same door they entered to keep life on an even keel.

New Year’s Day, the first holiday of the year, began as usual. Mama woke us early even though there was no school. Then she made a hearty breakfast of fried eggs from the backyard chickens and homemade biscuits with butter and jelly. Thick slices cut from a slab of bacon filled a small platter in prosperous times. All routine until the breakfast dishes were washed, dried, and put away. Then superstition blew in like a gust of chilling wind on a winter morning.

“Be careful what you do today because you’ll do the same thing all year,” Mama said. That sounded great to me. My father guffawed and went about his daily chores like any nonworking day.

I wanted to read—my favorite pastime—but Mama insisted we do something productive—to “ward off laziness,” she said. Then she set about finding ways to bring a year of prosperity to us. She cooked black eye peas with ham hock or bits of bacon—a southern tradition for good luck. We’d been eating that main dish accompanied by cornbread and home-churned butter as far back as I could remember. It hadn’t brought us any luck that I could see.

She cooked greens because superstition emphasized a healthy year by eating that food on the first day. Nothing new there either. She’d served cooked mustard greens, collards, or poke salad for more years than I’d seen. I hated greens. I only ate the small amounts required by my father who insisted we “eat what was set before us.”

Most evenings after supper, Mama swept the linoleum floors in the kitchen, then the pathway across the dining room to the back door. She propped the screen door open with one foot while she swept the wooden threshold and the steps. Not on New Year’s Day. After supper, she swept the kitchen floor and emptied the dustpan in the trash. She stopped there. I thought it was to minimize her workload. Only later did I realize that she might have been clinging to the superstition of not sweeping out good things with the bad on the first day of the year.

I don’t follow Mama’s New Year’s superstitions. Well, maybe one. I’ll leave the broom in the closet today so I don’t sweep out the good with the bad from 2017.





Filed under Holidays, Memoir

Homophones – a viral epidemic

Homophone is a confusing word. Homo means same, similar, or alike. But phone? Nope. A homophone is audible, but not an electronic device.

After my post about the U.S. Library of Congress Trump to/too (not tutu) faux paus, editors keep a keener eye (not aye) out for homophones—words that sound alike but convey a different meaning. See if you can spot the homophone mistakes in this short prose without the use of your spelling or grammar-check program.

Homophones cantor through the computer gait. Editors, like jockeys, reigns in hand, race foreward down the tract toward the finish line in a determined manor. The words hide, stationary on screen, waiting for the editor to waiver. Instead, she knits and pearls the maize into a fashionable story that vales the queues of mistaken identity.

Grammar Police Award

Maybe farfetched that you, the savvy author, would make the exaggerated mistakes above, but here’s a BOLO (be on the lookout) from me, the grammar cop. Like drinking and driving—only not as dangerous—these common homophones can destroy your clear record.

Wind your way through these wry words to the bottom where the edited prose quiz awaits.











































Here’s the edited homophone test with correct words in italics.

Homophones canter through the computer gate. Editors, like jockeys, reins in hand, race forward down the track toward the finish line in a determined manner. The words hide, stationery on screen, waiting for the editor to waver. Instead, she knits and purls the maze into a fashionable story that veils the cues of mistaken identity.


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Writer’s Advice – Third Quote Challenge

Well-known philosophers—mostly dead—push to the front, vying for mention in this last quote challenge.

“Either write things worthy reading, or do things worth the writing.”

―Benjamin Franklin


I’m trying, Ben, but you forgot to publish the DIY how-to section.

“The best time for planning a book is while you’re doing the dishes.”

―Agatha Christie

Book stack climber

Sorry, Ms. Christie, but California is in its fourth year of drought. Until El Niño arrives, I’m using paper plates. The trip out to the green waste receptacle is too short to do anything more than wonder if I’ve scheduled my next blog post.

“Don’t get it right – get it WRITTEN!”

―Lee Child


Thanks, Lee. I probably know more about Jack Reacher than real-life people because you took your own advice and published twenty novels with him as the protagonist.  Reacher even has short stories to keep me posted on his activities between hardcover books.


I’ve published a couple of nonfiction books and dozens of short stories, but my first mystery manuscript is old enough to go to kindergarten. Why haven’t I followed Lee Child’s advice and published it?

“I’d rather edit manuscripts written by others.”

―Violet Carr Moore

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Filed under Blogging, Editing, Memoir, Publishing, Reading, Writing

Pleasant Dreams

 A recent discussion on Crime Fiction, a LinkedIn crime writers group, ended up in the bedroom.


foot-banana peel

OOPS! Take one giant step backward.

Let me explain.  My novel characters in Next of Kin work in progress often have a stubborn streak and wander off on their own exploits, leaving me to revise scenes and chapters to fit those moods. The Crime Fiction thread was directed at how to avoid this. One post suggested that a good night’s sleep might cure the problem.

Green Tea Cup

 Drink one cup of chamomile tea and relax.

That doesn’t work for me. When my characters traipse off course, leaving the path my fingertips have painted with words, I follow them all day. I meander in and out of unplanned scenes and dialogue. After dinner, I review my manuscript. I fuss at the character and try to explain that I, the author, am in charge. When that doesn’t work, I hogtie that character and drag him to bed.   


 Wave get-out-of-jail-free card.

While I wait to be arrested by the evening shift sergeant, I replay that character’s dialogue and actions, demanding to know why s/he didn’t trust me to do the right thing.  I toss and turn with thoughts of editorial revenge until I drift off to sleep. I snooze.


I awake, alone in the darkness, and realize the character is right.


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Rules for Novel Writing

There are three rules for writing the novel.

Unfortunately, no one knows what they are.

W. Somerset Maugham

W. Somerset Maugham 1874-1965 (Photo courtesy of Wikipedia)

W. Somerset Maugham
(Photo courtesy of Wikipedia)

Writing workshops or conferences include at least one session on the three essentials of writing. Instructors offer a variety of suggestions from their experiences. If applied, those guidelines should prepare the attendees to write the next best seller.

A cough creeps up my dry throat as I scribble notes in a workshop . I sip water, chew mints, and sip more water to avoid coughing during the intense moments. Eyes forward, I strain to lip read as the presenter, head down, stares at the floor and whispers the secret to writing a best-selling novel. Stillborn words are buried in the carpet. Silence envelops me with disappointment like reading a book with the last pages missing.

I stuff notes in my tote bag. BME—my reminder from a previous conference—catches my attention. Move over, Mr. Maugham. I’ve found the three basics for writing a best-selling novel.

#1 – Beginning
#2 – Middle
#3 – End

Whether I succeed as a novelist or settle in my comfortable niche as a short-story author and memoirist, I echo William Somerset Maugham’s sentiments.

 Writing is the supreme solace.

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NaNoWriMo on the back burner

Hour glass-animatedFor the first time since November 1, 2008, I’ve put National Novel Writing Month (NaNoWriMo) on the back burner to concentrate on editing one of my five draft novels created during this grueling challenge. Back burner not a familiar term to you? That cliché originated in the days of wood-burning cook stoves. Slow-cook foods were placed on the back burner because they didn’t require concentrated heat or constant attention like those closer to the cook.  My current kitchen range is electric with all four burners of equal heat options. Still, if something requires slow cooking, I put it on the back burner—or in a crockpot—to keep it out of my way.  Today, I’ve moved Next of Kin, my first NaNo novel, to the front burner and turned up the heat with 1,667-words a day in revisions to match the NaNoWri fervor.

Captain Luis Rojas of the Maricopa County Sheriffs Office, the antagonist, is pleased that I’ve moved Detective Taylor Madrid to the forefront of the homicide investigation of a new resident in this Arizona desert town. My critique group convinced me that I’ve been too harsh on cliché-speaking Sergeant Gavin (Sully) O’Sullivan, the bungling Irishman. He likes his new, more competent role, but he insists on keeping his dialogue clichés. He favors cool as a cucumber, drunk as a skunk, all bent out of shape, and on the back burner. Sergeant O’Sullivan needs more clichés to describe (1) the local mortuary business; (2) a pompous local town council leader; and (3) a Phoenix on-the-spot newscaster who sounds like a tabloid reporter.

Can you help Sergeant O’Sullivan? Send your favorites as comments.


Filed under Editing, Writing

Grammar Police

PoliceMy critique group has labeled me “The Editor” because I concentrate more on English grammar and punctuation than plot, setting, or characters. I’m much more concerned about subject and verb tense agreement than whether the protagonist is right or left-handed. I’d rather chose the correct form of your/you’re, or there/their/they’re, or synchronize singular/plural subject and verb agreement than to see if the protagonist is drawing with the wrong hand.

My inner editor’s persistence prompted one critique member to present me with a unique business card holder. Beyond an online purchase, it’s a creation from her heart—or at least her sewing machine. The sky-blue badge is fused and stitched to muted plaid fabric. To the left, this creative crafter stitched a clear pocket with a top opening for cards. The exterior is bound in black stitches. It folds wallet-style in the center to slip into a pocket or purse.

“To Correct  and Serve” is my goal. Now, I have the badge to prove it.

Grammar Police Award


Filed under Blogging, Editing, Writing