Tag Archives: Violet’s Vibes

Apparitions – Ghost Riders or Ghostwriters

“Riders in the Sky” was written and recorded by Stan Jones accompanied by the Death Valley Rangers  (Mercury 1949). Jones, the composer, drifted away, shrouded by ghostly cowboys floating into obscurity when Vaughn Monroe’s RCA recording became more popular.

Ghostwriters (GW) are another secret veiled by the clouds. Their roles vary. Sometimes a GW  interviews a person about specific events and shapes them into a blob of words that eventually becomes an inspirational book. Sometimes the ghostwriter begins with another person’s notes or ideas and whittles them into a memoir or self-help book. Sometimes a ghostwriter cuts and clips a poorly written fiction manuscript and embellishes it until it gleams like a cowboy’s silver belt buckle. That—and payment—are his reward because the published book wears the name of the fictitious writer.

“But that’s cheating,” you say.

The ghostwriter says it’s payment for work similar to writing a technical report, or create advertising copy while freelancing or salaried by a company. I say it’s like picking cotton.

 

Property of Violet Carr Moore

My father approved of producing without bragging rights. We picked cotton for pennies per pound. Father carried the stuffed ten-foot canvas cotton sacks over his shoulder to the hanging scales. He penciled the weight in a notebook, deposited it back into the pocket of his work shirt, and hoisted the bag onto his shoulder again. He climbed a wooden ladder resting against a wire-sided trailer and emptied the sack onto puffy fiber from other laborers. The owner towed the overstuffed trailer to a gin where it was baled with cotton from other farmers. The gin sold the bales to a textile maker which produced bolts of fabric with their brand printed in the selvage (My father would have said selvedge, the  British spelling, but he had no interest in sewing—that was woman’s work.) My mother bought yardage from the local Five and Dime and made my clothes. From the remnants, she pieced quilts. The cotton we picked in it’s refined stage clothed and warmed us.

Today, I salute Donald Bain (March 6, 1935 – October 26, 2017), the ghostwriter of the “Murder She Wrote” novels accredited to Jessica Fletcher, the Margaret Truman Capital Crime series, and many other ghostwritten books. In 2003, he published Lights Out with his name embellished above the title on the front cover. That brought Mr. Bain out of anonymity into the spotlight. Now he receives recognition as the original books are republished with his name on the covers, but there may be a few still clothed in secrecy, like the cotton my family picked that wore another name.

Yi-pi-yi-ay, yi-pi-yi-o!

 

 

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Safest Place to Live away from Natural Disasters-by an information junkie

Julie commented about the safest place away from natural disasters in my September 4 blog, “Riding out the storm-don’t try this at home.” That post focused on surviving natural disasters include earthquakes, tornadoes, and wildfires. The top three states for hurricanes are Florida, Texas, and Louisiana, but hurricane damage has extended past the Carolinas up the eastern coast to New Jersey.

Let’s look at the states most known for tornadoes. Stay away from Texas, Kansas, Oklahoma, Florida, Nebraska, Illinois, Colorado, Iowa, Alabama, Missouri, and Mississippi.

You read about my brush with the California 1970 Laguna Wildfire. Raging infernos like that seem common in the West, but Fire Science shows Alaska as the leader with more than 19 million acres burned since 2002. Texas is second, Idaho third, followed by California in fourth place. Safe states now down to 29 (Texas is already on the hurricane and tornado list).  I witnessed an Arizona wildfire from the safety of Tucson. Even that had a touch of humor.

The mountain view was spectacular through a floor-to-ceiling wall of bronzed glass windows behind the pulpit and choir area. I was frequently distracted by a climber picking his way to the top on Sunday mornings. One evening, a blazing fire lit the hill. Apparently I wasn’t the only one distracted by the flames. About ten minutes into the sermon, the minister turned to face the fire. “Since all of you are watching the fire, I will too,” he said. We stared at his back until he finished his topic.

Statistically, every one of the 50 states has been touched by wildfires since 2002. Even Hawaii has a tiny count of 29 acres. Most of these natural disasters occur in the summer, so that might still give you a peaceful winter. Depends on where you choose to live.

My mother told me about inching her way along a rope tied from the house to the barn to feed the animals during a Oklahoma blizzard years ago. They’re part of winter the Midwest and Great Plains. If you don’t like whiteouts, scratch all those states.

Flood records are not as reliable because they’re often associated with other disasters.  I survived the 1983 flood in Livingston Parish, Louisiana—alone again through most of the rising waters. But that’s another stormy weather story.

More than 8,000 earthquakes have shifted California in the last year, many so insignificant they don’t make the news like Sylmar in my previous post.

Where or where can we hide? One website has narrowed the safest place from natural disasters in the US to a single city. Syracuse, New York. But I don’t like heavy rain—more than 40 inches a year there—and I don’t like cold weather—only four months with temps above 70.

 

I’ll take my chances here in California.

 

 

 

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Riding out the storm-don’t try this at home

I moved from sunny Southern California to Louisiana the first time in 1962 when my husband—I’ll call him Bill for privacy reasons—was discharged from the military. I disliked the year-round rains. My first brush with a hurricane three years later churned deeper emotions of fear and hate.

We lived about 300 miles north of the predicted landfall location of Hurricane Betsy in 1965, so I expected heavy rains. I could get through it with Bill’s help. But he was sent to the devastated coastal area to restore electrical utilities. I was home alone. I mopped up water from incessant rain that oozed in around the windows, ran down the walls, and puddled on the floor.

I breathed easy when we moved back to California in the late sixties —nothing to fear but wildfires winds and earthquakes. The Santa Ana winds dropped ashes from the 1970 Laguna Fire in our yard in Irvine, but no sparks. The Sylmar quake the next year shook me out of bed, but no major damage. One evening two years later, Bill said, “It’s getting too crowded here—too many people—we’re going home.”

“Home” was a disappointment. Low-paying jobs, heat, humidity, and unending rains filled my days. We moved to Southeast Louisiana where the pay was better but the rains were worse. Then we met Hurricane Andrew, a projected Category 5 hurricane in 1992. “Don’t worry,” Bill said, “it’ll slow down once it hits Florida. All we’ll get is  rain.”  Andrew swept westward. We were in the direct path.

Andrew strengthened back to a Category 5, then downgraded as he stormed our way. The voluntary evacuation order came to our parish (county to all you who aren’t familiar with Louisiana vocabulary). I left work in Baton Rouge and crept toward home in the outbound traffic. Bill was nailing sheets of plywood over the windows. “Are you almost ready to go?” I asked. “If I don’t stay looters will take all my shop tools. Gonna ride it out,” he said.

I would have felt safer in the truck high above flooded streets, but I tossed my tote and a bag of snacks in my sedan. In case Mississippi hotels were full, I added a sleeping bag, a pillow, and bottled water for shelter survival. Weather news said Andrew had slowed to a Category 4 when it hit the Bahamas. “No sense paying an extra hotel night,” Bill said. “Wait till tomorrow and see what happens.” The next morning, voluntary evacuation was replaced by a shelter-in-place order.

I peeked through silver duct tape crisscrossed on the kitchen door window panes. A neighboring pine bent double in obeisance to Andrew, the 80-foot tall branches touching our gravel driveway before returning upright, only to repeat the same bow. My view of the front yard through the kitchen window showed the ancient oak standing its ground. Between peeks outside, I hovered near the television watching the devastation Andrew had left in his path—until the lights flickered and we were left in the dark.

Without electricity we had no water from the subdivision well. We were campers, so we had prepared. We brought in buckets of rainwater from the wooden barrel for the bathrooms. We turned on the portable radio. We set up the Coleman camp stove. That evening we ate by light of the Coleman lantern. Sleeping in the heat of a boarded-up home was impossible. We soon used the last of the dozen radio batteries and the propane canisters. Then the phone died. We were cut off from everybody—our wise neighbors had evacuated.

The morning after Andrew moved on, we stood on the front porch, sheltered from the heavy rain, accessing the damage. A downed power line entangled in a massive limb severed from the strong oak sprawled across our driveway near the street. Bordered by a deep drainage ditch, we were still captives.

After a frustrating week, the rain stopped, and a utility crew arrived on our street. Their small gas-powered saw was no match for the oak limb. The saw stalled, then the chain broke. They borrowed our chain saw. My husband offered to do the first cuts. “That oak is tough,” he said. They refused citing insurance liability. He stepped back while they powered up his replacement. They made a few cuts before they broke his saw.

There were no looters in our country neighborhood. The chain saw was the only loss.

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IRS Discrimination-It’s the Law

I gas up my aging sedan at the Safeway pumps, my favorite refueling spot because it’s two miles down the road and gives me ten cents a gallon savings if I pay cash or use a debit card. What happens when I use a credit card? No discount. Sounds like discrimination—or at least favoritism—but it’s a law in California and ten other states. Hmm.

The Internal Revenue Service website brags that my civil rights are protected. Here’s the disclaimer from that website.

The Internal Revenue Service does not tolerate discrimination by its employees against anyone because of age, color, disability, race, reprisal, national origin, English proficiency, religion, sex, sexual orientation or status as a parent.

Sounds great, but shaky ground between truth and fiction. Since the IRS claims to avoid religious discrimination, doubtful anyone there would rely on the Jewish proverb, “Buy the truth and sell it not.”

Maybe that’s why the IRS stretches the truth in this ruling and discriminates against disabled people. How? By favoring people who drive for business-related purposes.

Beginning on Jan. 1, 2017, the standard mileage rates for the use of a car (also vans, pickups or panel trucks) will be:

  • 53.5 cents per mile for business miles driven. . .
  • 17 cents per mile driven for medical or moving purposes. . .

What? If I’m healthy, driving for work purposes to generate income, my deduction is 53.5 cents a mile. If I’m unable to work because of a disability, or I’m a retiree (age) headed to a medical appointment, I can only claim 17 cents as a deduction.

 

When I slide behind the wheel on my way to way to a doctor’s appointment, I check to see if I have my handicap card for parking. Then I give the gas gauge a quick pat. “Go lean on the fuel,” I say. “IRS discrimination sets the rules for this ride. It’s the law.”

 

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Type-ins for Writers

Type-ins are the newest writing frenzy according to Associated Press News (AP) . Writers, poets, and typewriter enthusiasts gather to click keys and roll out paper originals. Could this no-screen craze be the next eye-saver?

Mr. Clyde Quick, my high school typing teacher, agreed. He insisted that his students focus on an oversized keyboard poster centered above the chalkboard to learn touch typing. “Look up,” was his first mantra. His second was, “Keep your hands on the home row.”

My hands hovered above the keyboard of a manual Underwood desk typewriter, left index fingertip touching the “F” key and right index finger on “J,” ready for “Begin.” Later, when the tests were timed for Word per Minute (WPM) achievement awards, Mr. Quick held his stopwatch high and added a little frenzy to the race with “Go!”

Now and then I was fortunate enough to grab a seat behind a manual Royal —much smoother touch than the Underwood.  One morning, two new typewriters, one Royal and one Underwood, shined atop the table in the last row, strategically placed to avoid tripping over the cords plugged into a nearby electrical wall socket. The typewriters weren’t assigned, so the athletic sprinters beat me to those seats most of the time. One day, with an admonition from Mr. Quick to let every student have a chance, it was my turn on the Royal with green keys. No extra pressure for the pinkies to produce a clean, even text. The short return carriage lever made right margin end-of-the-line faster. I fell in love with my first taste of technology. Returning to the stiff manual typewriter was difficult, but it had a side benefit. The electric typewriters were off-limits for achievement tests. I was one of the few who received the coveted 60 WPM level with no errors on a manual Underwood.

Long after my school days, I bought a portable Smith Corona, then upgraded to a full-size IBM Selectric. I was fascinated with the interchangeable typeball fonts and added several to my collection. The Selectric self-correcting feature was fabulous. I pressed a special backspace key, and the letter lifted off the printed page, ready for the correct keystroke.

Thanks to Mr. Quick’s fairness and my few sessions on that electric Royal typewriter, I embraced technology. Now, decades later, I’ve abandoned paper markups to edit on screen with Microsoft Word tracking feature. I delete, insert, or move text and add side comments to the author with soft clicks.

I still follow Mr. Quick’s advice and keep my fingers on the home row of my Dell laptop. His advice to “Look Up” means keep my eyes on the screen.

 

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Creative Art

A quilter or seamstress invests in the machine best suited for her hobby. She has a sewing room stocked with shelves of materials, trims, and embellishments. A knitter has baskets of yarn, pattern books, needles, and accessories. Artists have easels, paints, and brushes. Most of these crafters have supplies they will never use.

A silhouette artist works with minimal materials. A person chances by. A smile or turn of the head alerts the artist. From a canvas of black paper, he captures the profile with clean, sharp blades. He creates curves and angles that detail the subject. The framed product becomes a visual treasure.

My sewing machine and serger sleep like Rip Van Winkle. My knitting baskets overflow with yarn, needles, and supplies. I’ve donated my colored pencils and construction paper to a charity.

I’m a writer. My hands are my tools. I mold the shape of a head, add a beard or mustache, and dress a dapper character. If the look isn’t pleasing, no need to rip out stitches, or change the canvas, or discard the paper. I can add a hat, shave the beard, and update the wardrobe—all with words that dance across my computer screen at the command of my fingertips.

Words

 

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Grammar Cop

computer-books-pencilsThere much ado on Capitol Hill about the importance of spelling. It’s about time. Ask me. I’m a grammar cop with a badge to prove it.

I’m a writer—at least that’s how I use to identify myself before I realized that editing is my niche. I’m a member of California Writers Club Tri-Valley Branch also known as Tri-Valley Writers. I’ve been part of a novel group, one of the individualized critique groups that meet monthly. There I’m known as the grammarian—often editing English more than critiquing the story.

Grammar Police Award

Grammar Police Award

Long before Trump was elected president, Lani Longshore, a multi-talented crafter, presented me with a Grammar Police shield embroidered on the right inside of a folding credential case. My editing card fits in a clear plastic slot on the left. I seldom have to flash it because most writers know I spout Chicago Manual of Style (CMOS) rules as often as President Trump tweets.

If I had made this award public sooner, perhaps the U.S. Library of Congress would have consulted me (or at least the 16th Edition of CMOS) and been spared the embarrassment of a grammar error in President Trump’s inaugural poster.

Too late to correct the posters but production has been halted. If you bought a first run at $16.95, the odds are that someday it will be a collector’s item—not because of the grammar error but because of the wasted taxpayer dollars for a reprint that reads:

No dream 2 big, no challenge 2 great…

 

 

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