Category Archives: Blogging

Shades of Gray

I dream in color. Only once did I dream in black and white. The absence of color jolted me awake. I don’t remember the dream—only the starkness.

I climbed out of bed and bolted to the bathroom mirror. All I saw was a disheveled white hair above snowflakes splattered across gray pajamas. What happened to color? Then I noticed the red drawstring. Whew! I returned to bed and snuggled under a purple rose patterned comforter with the assurance that the only place absent of color was my dream.

My mother’s hair was called jet black in the twentieth century. Following present writing trends, I would have to call it coal, ebony, jet, licorice, onyx, or raven. When it grayed then lightened in her advanced age, it was would have been designated as salt and pepper before it turned white. Today, a wordsmith might describe the silvery strands as argent.

I imaged blogging about my her hair or my black and white dream using synonyms. Licorice and lily or licorice and magnolia sounded like a southern writer’s work-in-progress title. Blending licorice and snow gave me shudders. I searched for wider options. Licorice and pearl? Nope. Coal and oyster? Ugh! Raven and milk. Definitely not. Ink and ice. Not so bad, but still nondescript compared to a color palette created from my HP printer in less time than trying to remember the drab dream.

Writing, like dreams, needs color. I experimented with azure, sapphire, cobalt, or indigo for shades of blue. I splashed crimson, scarlet, ruby, carmine, and magenta as stronger shades of red. I daubed flecks of gold, flaxen, lemon, and mustard for yellow. I skipped Princely Purple aka Ultra Violet (yes, it’s two words), Pantone’s color of the year.

CMYK printers diminish the value of black by designating it as K, supposedly for key color.  Digging for truth during the California political campaigns is a good time to advocate for writers to join me in a revolution to return to plain color names like red and blue and yellow. Writing advisors may tell me how to shape my novels, but like my dream, all blog posts can’t be CMYK, PMS, or RGB. Some words are like shades of gray paint—rich, warm, soft, airy, wispy, or charcoal. Other words must be bold statements in black and white.

 

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Once in a Blue Moon

I heard “Once in a blue moon” many times in my childhood. My family used the phrase to describe something that rarely happened, especially when trying to prompt someone to a specific action the second time. My child’s mind imagined an Indigo—or at least a turquoise—moon. The adults laughed at my expectations. Even though my father lived by the Farmer’s Almanac and knew every phase of the moon, he didn’t tell me that a Blue Moon was the second full moon in one month.

My superstitious mother kept me from staring at a Blood Moon in the mid-1940s. “It’s a curse,” she had said. “Something terrible’s gonna happen. Wait and see.” She never wavered from her belief to acknowledge the color was caused during a total lunar eclipse when Earth moved between the sun and the moon and created a reddish glow.

Tuesday evening, January 30, 2018, I stopped editing a manuscript to go outside and stare at the moon to witness something I’d never seen.  The bright light rose high in the sky looking much like any other full moon—not a deep cobalt or even a light sapphire. I went back inside, checked my printout of the promised total eclipse of the triple-decker treat of a Super Blue Blood Moon, and set my alarm for 3:45 a.m. Pacific Standard Time determined to witness the beginning of the umbral eclipse.

The alarm triggered the urgency to rise while it was dark. I staggered out of bed, slipped on shoes and pulled a long black coat over my pajamas. I hurried outside away from the lights of my apartment community and gazed upward. The excitement of the impending triple-header warmed me from the cold for a while. For the next three hours, I alternated staring at the marvel in the sky and returning inside for breaks, warmed by hot tea. The Super Blue Blood Moon was more spectacular than promised. When the eclipse ended and the Super Moon slid lower and lower until I could see only the top of the bright orb, I returned to my warm bed.

A second alarm reminded me that I had work to do on a manuscript edit. I clicked my way through and basic sentence structure and spell check. After a late breakfast, I traipsed through ninety screen prompts in a grammar program. If it disagreed with Chicago Manual of Style—the manuscript editor’s go-to book—I clicked ignore.

My next step, an editing program that claims to be “smart” enough to reveal misused words, punctuation inconsistency, and multiple other variances. Three popped up in the em dash category. My edited punctuation was correct according to Chicago Manual of Style. That’s when I looked up, waiting for the program to enlighten me like the Super Moon had earlier. I saw this instruction on my computer screen above the questionable areas.

 

 

Maybe this only happens once in a blue moon, but if this paid program isn’t smart enough to catch its own mistakes, how can it find mine?

In a spare moment between writing and editing today, I took a look at Super Blue Blood Moon Video, NASA TV. Now that’s  something I can trust.

 

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Thanksgiving Memories

My mother always began preparations on Wednesday for our abundant home-cooked Thanksgiving feast with the main dish of turkey, ham, chicken, duck, or goose–sometimes more than one. Deviled eggs, black olives, pickles and cranberry sauce nestled among bowls brimming with homemade dressing, mashed potatoes or potato salad, and green beans. Mincemeat, apple, and sweet potato pies covered the kitchen counter. Occasionally, a fresh coconut cake towered over the pies, giving it bragging rights. Mama made room for other side dishes brought by my married siblings just before noon. Papa was serious about the precise time. We ate at noon by his pocket watch—not one minute earlier or later.

The adults sat with Papa around the food-laden table in the dining room. Mama seated the younger children at the square drop-leaf table in the kitchen. I ate in the living room with my twin sister and nieces and nephews our age, balancing our plates on our knees. Mama served everyone first and ate later. After lunch, the women washed and dried dishes. Children played on the covered porch. Men gathered in the tiny living room to talk. A couple of my brothers drifted outside for an afternoon smoke, forbidden inside our home.

The night before Thanksgiving, the smell of chicken frying in a cast-iron skillet wafted from the kitchen. The sweet smell of fried apple turnovers replaced the aroma of baking pies. I listened from the open doorway as my parents talked about working on Thanksgiving Day.

Oh, no! It can’t be! 

The next morning after breakfast, Mama packed the refrigerated chicken and turnovers in a sturdy cardboard box with eating utensils. She covered it with a tablecloth just as Frank, my oldest brother, arrived to take us to work.

I stepped down from the old Model A Ford running board. On the ground, I pulled the strap of my cotton sack over my head and under my left arm and shook eight feet of canvas between two rows of late-blooming white cotton basking in the early morning sun.

Five minutes before twelve, Mama stopped picking and spread the tablecloth on a patch of flat ground. Papa removed his hat, wiped his perspiring forehead with a handkerchief and checked his pocket watch. At noon he nodded to Frank to say a blessing for the food.

“Thank you, Lord, for family gathered here on this Thanksgiving Day. Bless this food to the nourishment of our bodies so we can finish this field before dark. Bless the farmer who allowed us to work today. Prosper him abundantly for his kindness. Amen.”

Bless the farmer? Without him we’d be home heaping our plates with turkey and dressing and eyeing the tantalizing desserts, not eating cold fried chicken in a cotton field. My complaining thoughts were interrupted by my nephew’s voice.

“Please pass another piece of Grandma’s fried chicken,” he said. “It’s the best I ever ate. And, could you hand me a couple more fried apple pies. Grandma knows how to make them just right.”

The next year, the Wednesday cooking rituals returned to our home. About thirty of us gathered around the dining room at five minutes before twelve. My father checked his pocket watch. At precisely noon, he bowed his head and gave thanks for the abundant meal. While children waited for their plates to be filled before moving to the kitchen to eat, adult talk turned to the previous Thanksgiving meal in the cotton field. One of my brothers mentioned Frank’s prayer.

“No more picking cotton for that farmer. He did so well after that prayer, he bought a cotton-picking machine and put all of us out of work.”

 

 

Posted at 12 noon, Pacific Standard Time, Thanksgiving Day, in honor of my father’s pocket watch time.

Disclosure: Revised third annual post, my Thanksgiving tradition, adapted from my original story in Double Take (Carr Twins & Co., 2014).

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IRS Discrimination-It’s the Law

I gas up my aging sedan at the Safeway pumps, my favorite refueling spot because it’s two miles down the road and gives me ten cents a gallon savings if I pay cash or use a debit card. What happens when I use a credit card? No discount. Sounds like discrimination—or at least favoritism—but it’s a law in California and ten other states. Hmm.

The Internal Revenue Service website brags that my civil rights are protected. Here’s the disclaimer from that website.

The Internal Revenue Service does not tolerate discrimination by its employees against anyone because of age, color, disability, race, reprisal, national origin, English proficiency, religion, sex, sexual orientation or status as a parent.

Sounds great, but shaky ground between truth and fiction. Since the IRS claims to avoid religious discrimination, doubtful anyone there would rely on the Jewish proverb, “Buy the truth and sell it not.”

Maybe that’s why the IRS stretches the truth in this ruling and discriminates against disabled people. How? By favoring people who drive for business-related purposes.

Beginning on Jan. 1, 2017, the standard mileage rates for the use of a car (also vans, pickups or panel trucks) will be:

  • 53.5 cents per mile for business miles driven. . .
  • 17 cents per mile driven for medical or moving purposes. . .

What? If I’m healthy, driving for work purposes to generate income, my deduction is 53.5 cents a mile. If I’m unable to work because of a disability, or I’m a retiree (age) headed to a medical appointment, I can only claim 17 cents as a deduction.

 

When I slide behind the wheel on my way to way to a doctor’s appointment, I check to see if I have my handicap card for parking. Then I give the gas gauge a quick pat. “Go lean on the fuel,” I say. “IRS discrimination sets the rules for this ride. It’s the law.”

 

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July 4 Celebration

My mother was afraid of deep water, a fear she transmitted to me early on. In spite of that, my married siblings insisted on celebrating Independence Day fishing from the banks of the San Joaquin River or picnicking beside a clear stream in the foothills. It was a break for adults to escape a mundane workday and for kids to have fun splashing in the water. Mama kept a watchful eye on me. If I ventured into water above my knees, she waded beside me and kept a firm grip on the back of my clothes. All that changed on July 4, 1954.

That morning, we dressed in our finest, buckled our polished shoes, and walked to church. My brother, Frank, and his family were there when we arrived. His youngest son, James Henry, sat in a far corner, arms folded across his chest, head down.

“What’s wrong with him?” I asked Homer, his teen brother.

“He wanted to go to the river today, but Dad made us come to church.”

“Same for us,” I said. “Church comes first on Sundays. James should know that.”

“We always go to the river on his birthday, so coming to church today was bad enough. Then things got worse.” Homer looked toward James. “He’s nine today and he just found out that all this time we’ve been celebrating Independence Day on July 4, not his birthday.”

 

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BYOB forces crime fiction rewrites

BYOB, a term that once meant “Bring your own bottle,” your choice of favorite drink, to a house party has taken on a new definition in Alameda County, California. Effective May 1, 2017, the plastic bag ban for grocers and retail establishments that sell milk and bread has been expanded to include ALL (or as old timers in my young years used to say capital A double L) retailers that sell perishable or nonperishable goods including clothing, food, and personal items (retrieved from http://www.reusablebagsac.org/). Now BYOB means bring—or buy—your own bag.

For several years, shoppers have kept a stash of cloth or heavy-duty plastic bags in their automobiles or a silky-feel-good fold-able bag in pockets or purses for stores that sell perishable goods. A full month after this new BYOB became effective, shoppers still look perplexed at checkout when a hardware or department store employee says “Do you want to buy a bag?”

This new law is causing havoc for fiction writers with works in progress. Crime fiction will never be the same. Where the bad guy once snatched recent purchases, brands visible through thin plastic bags, now the writer has to tell what’s in the bag in a previous scene to make it worth stealing.

What about descriptions? In the original manuscript, the witness says, “He demanded the woman’s purse and jewelry and dropped them into a white plastic bag with the orange Home Depot label.” The investigator makes a note to look at security film from the nearest HD and sees the robber on film. The clerk knows the guy, a local. Arrest made.

In the revision, the witness says, “He stuffed the woman’s purse into a brown paper bag—you know, Officer—the generic kind you have to buy for a dime at checkout.” The investigator will be forced to pursue other questions like “Can you describe the suspect? What was he wearing? Which way did he go?”

Revisions to my manuscript will have to wait. I’m off to do a little shopping, cloth bags in hand, to save my dimes for publishing my first crime fiction novel.

 

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Creative Art

A quilter or seamstress invests in the machine best suited for her hobby. She has a sewing room stocked with shelves of materials, trims, and embellishments. A knitter has baskets of yarn, pattern books, needles, and accessories. Artists have easels, paints, and brushes. Most of these crafters have supplies they will never use.

A silhouette artist works with minimal materials. A person chances by. A smile or turn of the head alerts the artist. From a canvas of black paper, he captures the profile with clean, sharp blades. He creates curves and angles that detail the subject. The framed product becomes a visual treasure.

My sewing machine and serger sleep like Rip Van Winkle. My knitting baskets overflow with yarn, needles, and supplies. I’ve donated my colored pencils and construction paper to a charity.

I’m a writer. My hands are my tools. I mold the shape of a head, add a beard or mustache, and dress a dapper character. If the look isn’t pleasing, no need to rip out stitches, or change the canvas, or discard the paper. I can add a hat, shave the beard, and update the wardrobe—all with words that dance across my computer screen at the command of my fingertips.

Words

 

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